Is Home Theater Carpet Your Next Profit Center?

Home theater carpet is unique due to its use of patterns not found in traditional home flooring. It can be a very profitable category for integrators, with margins up to 40%.


Integrators could literally be standing on top of their next profit center: home theater carpeting.

“The motivation for dealers is simple: Carpets … why not? Why leave money on the table?” simply states Nick Dobosh, president of Joy Carpets, a 42-year-old Fort Oglethorpe, Ga.-based provider of custom carpets that target home theater environments. “This is one more thing you can make money on. It is icing on the cake.”

And it truly is a very profitable category for integrators, with margins in the 35 percent to 40 percent range. In a standard 500-square-foot dedicated home theater room, the client cost would range between $2,000 to $3,000.

Integrators might wonder why their clients wouldn’t just run down to their neighborhood carpeting store to buy flooring for their home theaters. According to Dobosh, “mainstream carpet” from the local store typically does not have any patterns. They tend to be single-color carpets you would see in a bedroom or family room.

“Custom integration has evolved way beyond just offering the electronics. In most home theaters, the homeowner works with the integrator to spec just the electronics … the flooring is an afterthought. The customer is thrown to the wolves to fend for themselves at Lowe’s or the local carpet store. Those stores typically do not carry carpets with patterns because they usually only offer flooring that they can sell every day,” he notes.

Joy’s focus has always been on specialty pattern carpets, or ‘less-than-mainstream carpets,’” as Dobosh describes. For the past three years, the company has exhibited at the CEDIA Expo.  It “fell into this channel” after noticing how often their carpet was being specified in home theaters.

3 Distinct Types of Carpet Clients

To cater to this niche, Joy Carpets created its “Any Day Matinee” collection of 76 different patterns for home theaters. The company breaks down clientele into three distinct segments in terms of their carpet selection:

  1. Subtle and Casual – These are neutral colors like beiges, charcoal, tope, cream and olive. “But they still want something that does not look the same as the oatmeal bedroom carpet,” says Dobosh. Subtle and casual is most often used in great rooms and basements. Examples are the company’s Travelers Rest and Diamond Lattice (modern) patterns.
  2. Traditional and Regal – These are sophisticated, ornate-looking carpets with patterns of scrolls, trellises, medallions, and fleur de lis in colors like burgundy, gold, chocolate or navy. Examples are the company’s Walk of Fame and Waldorf lines.
  3. Whimsical and Energetic – These are patterns of movie reels, streamers and popcorn in bright primary colors of red, blue, yellow and even pink. “This is more of a commercial theater look,” says Dobosh. Examples are the company’s Doubledown or Silver Screen patterns.

The carpet itself is a cut pile texture called Saxonys with 100 percent Stainmaster nylon, which is high end manufacturing, according to Dobosh. There are no sound absorption qualities that Joy Carpets markets as part of the carpet, but obviously integrators know there are different acoustical qualities to soft surfaces vs. reflective hard surfaces.  

“It is not thicker. There is no special acoustical backing. It is just decorative. We leave the acoustical issues to the integrator.  We are in this from the standpoint of fashion,” says Dobosh.

What about the sales and installation? Dobosh says it is pretty easy. Dealers just need to simply carry a sample book or point clients to the Joy Carpets website. There are no inventory requirements or minimum order requirements. Joy will mail samples to clients to look at. Typically, the carpet is delivered directly to the integrator or to his subcontractor who will install the carpet and has vehicles that can accommodate the large roll.

So far, Dobosh has not heard about integrators having conflicts with interior designers. 

About the Author

Jason Knott
Jason Knott:

Jason Knott is Chief Content Officer for Emerald's Connected Brands. Jason has covered low-voltage electronics as an editor since 1990, serving as editor and publisher of Security Sales & Integration. He joined CE Pro in 2000 and serves as Editor-in-Chief of that brand. He served as chairman of the Security Industry Association’s Education Committee from 2000-2004 and sat on the board of that association from 1998-2002. He is also a former board member of the Alarm Industry Research and Educational Foundation. He has been a member of the CEDIA Business Working Group since 2010. Jason graduated from the University of Southern California.




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