Let’s see 7+ year old SoC that probably costs less than $20 at this point, that even NXP no longer recommends for new designs.
Really pushing the bounds of innovation.
UPDATE: ADT officially set the IPO share price at $14, below the expected range. The 105 million shares will yield $1.47 billion.
As a long time Manufacturer Rep and a winner of “Best Sound” at many events with no sales related to this award, I am wondering for a B2B do we really need to make sound? Why not have a High Performance Audio exhibit at the convention floor with 25 companies all static? Will any of you two-channel Brick and Mortars come by?
Jason, don’t forget Alexis Park, a quiet non-casino hotel that was high-end audio’s CES home for a number of years ending in.2006. A Day Three CES tradition for me & a few friends was an afternoonn CES shuttle to “AP” to check out everything there, then a walk next door to the St. Tropez to hear what the “rogue” high-enders were offering at T.H.E. Show. We ended up at the (then) new Hard Rock across the street for a long late lunch, Always my best and favorite day in Vegas. Sadly I could see the end coming even back then. Face it, audiophiles are largely aging hobbyists just like most amateur photographers, stamp collectors, gardeners and bird watchers. The “vinyl resurgence” is/was an unusual yet unsustainable blip. For all the hoopla surrounding shows like Rocky Mountain, they draw far far fewer people than the average summer outdoor antique show. And as you recall, I’m in a unique position to ascertain that.
Its been over for 10 years already, I stopped going after 2004. Its a waste of time and money for high end specialty audio and video vendors. I miss seeing all my friends but they dont go anymore either. Its just a different business now.
Is This the End of High-Performance Audio at CES?
No, High End Audio dead is not dead. It’s no longer the driving force of the audio business. The business model for a successful A/V dealer has changed dramatically, And, those companies that have survived the last decade or two have also changed. The industry started with the windup Victrola, which in its day was remarkable. A person could enjoy recorded music in their parlor, “How convenient”
Now over the years the industry grew and most of the growth was in the improvement of sound quality. The real market place for the industry was to the Audio-file. Someone sitting in a room critically listening and enjoying the quality of the art. Along with the invention of better methods to store and play back recorded sound came added convenience. A CD is much more convenient than a vinyl disc. An MP3 file is even more convenient. Yes, an analog vinyl album has a sound quality that is hard to beat. But they are cumbersome, hard to manage, easy to damage. The friction between the needle and the record will degrade the grooves in an album over time. Where digital recorded content can be replayed infinitely without degrading the quality. Additionally, to experience the difference between an analog record and a digital recording the music needs to be played through high end electronics. So, I do not see vinyl making the big comeback to the mass market. My point is Convenience / Quality.
The high, end retail market has grown exponentially over the years. So much so that it requires two additional shows, CEDIA for residential and INFOCOMM for commercial markets. The successful business model has gone from selling TV’s, Bookshelf speakers, and Transistor radios. To installing Home Theaters, Whole house Audio, and Automation systems. The consumer no longer needs bookshelves of LP’s, but a library of 2,000 songs stored on their phone. There is no longer that exchange of placing an album on a turntable every 20 minutes. And you no longer need to be in the same room. For years advancement in the industry was driven by quality. Today it’s convenience.
This trade event still has some relevance as it encompasses technologies that many integrators need to be familiar with. High end audio is one of them although as you state, interest in it is waning a high quality audio and video is now assumed. The finer hobbyist points of high resolution are of little interest to the mass marketers as the niche in that market narrows. But consumers still want great looking, great sounding products so knowing how to deliver that is essential. I would think that with “consumer electronics” being right in the name of the event that the entertainment aspects of the category would be addressed. They represent what many people spend the most time with and get the most enjoyment from.
I once heard it said at a trade conference I attended “CEDIA is the planet we live on but CES is the universe it is in.”
High end displays need isolation, if they want their products to sound great, so this isn’t really surprising. The real reason may be cost- if a hotel room can cost $800, how much is the display space? Sony stopped going to CES in the early/mid-‘80s (I think it was ‘83) because their booth (a double) cost $2M an they weren’t seeing the results they wanted, so they started going to various cities and having a ‘pre-show’, where they could meet with dealers without going deaf and spending so much.
I went to CES in Chicago from ‘78 until it moved and hated being blasted by the exhibitors who tried to get attention via SPL. It was a long, grueling day and if anyone remembers, the high end brands were usually off-site, in hotels.
If anyone is to blame, it’s the hospitality industry, gouging people when they could just charge a more normal rate and ensure occupancy. If they keep charging too much, CES may have to move. RMAF and Axpona may be where the high end companies show their products, as long as they aren’t inundated by people who want to bend the ears of people who are trying to communicate with dealers.
I have attended CES for the last 25+ years, and the high end exhibits were always a strange mix, off in a distant building (used to be in the Sahara before the Venetian.) It was always a lot of time spent to see a just a few manufacturers. I quit going to the High end exhibits probably 15 years ago. However, I think if they could display in a single area or two by the convention center, where we could walk by and stop in when needed, the high end exhibitors would have much, much better attendance, and maybe make it worth their time and $$ to be there. (I understand it would be harder to demo, but thats the tradeoff at this point IMO.)
The covered startups are indeed great and potential to succeed in real life. All those smart home and outdoor technologies aim to help people in their lives, which is good. We, at Ausweis, also work towards easing lives. Our smart access controller is compatible with any electric locks. With it, you can remotely control all your entrances, share and revoke accesses anytime and from anywhere. You can open your door remotely to let in firefighters or craftsmen in a case of emergency. It is safe and convenient. Come see us present our product at booth #51875 (AUSWEIS) and see for yourself the convenience of our device. We are waiting for you at CES Eureka Park! www.ausweis.io
Marketing is a better way to bring a product to market, lawsuit is frivolous
Kudos to them, but the real “content protection war” has nothing to do with consumer AV gear. The whole HDCP bullsh*t placed upon every individual home owner (and us integrators who have to make it work) assumed that everyone copies movies. So while we jump through ever more difficult hoops, the computer industry doesn’t have to follow ANY guidelines, let alone this protection BS. Try to play the latest Blurry movie in your slightly (6month) outdated player, and you get the pleasure of firmware updates, maybe a picture that occasionally freezes or gives you warnings, yet I can pop that same disc in my PC, watch and copy to my hearts delight! A double standard established by Hollywood lawyers pushed on the low hanging fruit (average consumer). They know that MOST* people have no knowledge of, or desire to deal with the issue, while basically ignoring the PC crowd, who are usually more tech savy and will always find a way around the roadblocks.
Could tuneable white LEDs provide photosynthetically active radiation (PAR) for maintaining plants in commercial buildings to give a natural appearance, rather than the current horticultural LEDs that give a pinkish glow.
I totally disagree with a lot of people out there thinking that nixing the montly fees is a good idea.
Where does the cashflow come from when C4 does not charge for their service of keeping the servers up and running?
Is there any change in the terms of service?
When C4 is NOT charging but the integrator chooses to do so, there is the potential of a huge legal problem.
By not taking any money C4 can hardly be forced to keep a service up or to fulfill a certain availability/SLA/etc.
On the other hand the integrator takes hard bucks from the enduser for a service he/she has no control over whatsoever. I would be very interested in how C4 is going to educate their dealers about this potential dilemma.
Besides this, congrats to Ihiji!
This one makes me laugh, but it will cause a bunch of wasteful litigation….
Automatic sensing of individual approaching door—The receiving device within the proximity of a door has a sensor to detect approaching individuals and cause an action to occur within the system. (Patent #7193644, claim 1)
Nobody noticed the automatic doors every time you go to Home Depot or the grocery store? Those were invented in the 1950’s.
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